Crazy Rich Asians’ re-orientalization of Asians reinforces Eurocentrism and the Western gaze. Feminist and Orientalist readings of this film ultimately divulge the ability of Asians in the West to subconsciously[…]
Animation · Asian · Communism and Socialism
The gold that No-Face dispenses to the workers later crumbles into a pile of dirt. Conjured from nothing, No-Face’s fabricated currency undermines the very system of profit that capitalism is[…]
Activist & Political · Asian · TV & Streaming · War
This is the first piece of a multi-part, long-form series entitled “The Twilight Zone and the Culture Wars.” The series spotlights several episodes from Rod Serling’s The Twilight Zone and[…]
Actors & Personalities · Asian · Directors · Theory
When Lee’s daughter asks her new caretaker why the apartment is such a mess, she answers, “A house is like a person. It gets sick, grows old. The cracks in[…]
Actors & Personalities · Asian
The next step for a Hollywood that is coming to see the true potential of Dev Patel’s abilities is to let him shine in his own right, and in his[…]
Actors & Personalities · Asian
“Like Hollywood’s new postwar men, he offered a multifaceted, ambivalent masculinity far from monolithic wartime ideals.”
Activist & Political · Asian · Drama · Societal Trends
Hu Bo leaves us suspended over this bleak interregnum – where the old has gone but the new is not yet born. His death too, leaves a similar blank spot.[…]
One of the ways in which Parasite differs from many more naturalistic movies about urban poverty is that access to mediated experience is shown to be a function of opportunity[…]
Asian · Drama · LGBT & Queer
Hsu Chih-Yen and I immediately agreed that we wanted to represent a Taipei in July, especially the sun in Taipei. Under this July sun, everything is steaming, all the colours[…]
“Lucky Grandma,” says Claire Baiz in her fifth Tribeca dispatch, “features richly layered characters in director Sasie Sealy’s homage to Chinatown that make this universal tale both reassuring and groundbreaking.”[…]
In Sparrow, this sense of melancholia manifests as an abstract nostalgia for the architecture and cultural values of an old Hong Kong that is rapidly disappearing and being replaced by[…]
Asian · Interviews · Producers & Studios · Production History
What Third Window’s practices and Adam Torel’s insights provide is a view of the industry that contrasts significantly from current Japanese film research, especially in light of other exhibitors and[…]
Activist & Political · Asian · Directors · Interviews
“India has always assigned a special sort of power to film . . . an extraordinary power to corrupt gullible masses has been given to cinema.” – Rakesh Sharma *[…]
Asian · Directors · Documentaries · Interviews
Note: This interview was conducted in English during the Hong Kong International Film Festival in Sha Tin, Hong Kong, on 3 April 2016. The author wishes to thank Esther Yau,[…]
Asian · Directors · Historical & Epic · Interviews
Hou on The Assassin: I don’t believe we should blindly obey masters. Nie Yinniang is ordered by her master Jiaxin (Sheu Fang-yi) to kill a high-ranking official, but – once[…]
Activist & Political · Asian · Reviews
“Something is rotten in the state of Kashmir” – Improvising Shakespeare’s Hamlet. It has taken rather long for a feature film set in Kashmir to get critical acclaim for its[…]
Aaron Cohen’s profile of the obscure Japanese silent star Tokuko Takagi (also known as Taku Takagi), who came to America in 1906 and made a few films for Thanhouser Studios, first[…]
Activist & Political · Actors & Personalities · Asian
This article originally appeared in slightly different form in the March 1997 issue of Bright Lights. While limited to the history up to that time, it remains sadly relevant. *[…]
The Bergman film is much darker, and examines – with sadistic, Strindbergian zeal – the cruelties that men and women inflict on one other when love is distorted by power.[…]
