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Tom Sutpen

When not writing about film, Tom Sutpen produces community television in the Greater Boston area and collects Jean Goldkette recordings.

in issue 57

Close to Home: The Films of Su Friedrich on DVD — Autobiography sometimes trumps art in these uneven works

in issue 55

The Reckless Art of Erich von Stroheim: Part One: The Pinnacle — "Like every other skilled fabulist on earth there would forever be a part of Stroheim that truly believed his own fantasies."

in issue 54

Cultural Equity: On the Documentary Lomax the Songhunter — "Every smallest branch of the human family at one time or another has carved its dreams out of the rock on which it has lived." (Alan Lomax)

Just Another Guy on the Lost Highway: Revisiting Two-Lane Blacktop — "It's not some metaphorical struggle between two mighty kings of the road. It's more like a self-deceiving ritual carried out by two of its prisoners."

in issue 52

Great Scott! Herzog Profiles God's Angry Man — On the madness of Dr. Gene

in issue 51

Auteur in Distress: On Wallace Beery, von Sternberg, and Sergeant Madden
Cinema's supreme pictorialist surrenders to "the cop on the beat"

Buried Alive: On Frederick Wiseman's Juvenile Court
"The great legal scholar Lenny Bruce once observed that
in the halls of justice the only justice is in the halls . . ."

in issue 50

Far from the Madding Multiplex: The Subtle Horror of The Innocents
Watkins' savaging of commodified culture remains disturbingly relevant

The Nixon of Our Dreams? On Robert Altman's Secret Honor
We loved him, we loved him not

in issue 49

Distribute This! Privilege (Peter Watkins, 1967, Great Britain)
Watkins' savaging of commodified culture remains disturbingly relevant

in issue 48

Distribute This! Blast of Silence (Allen Baron, 1961, U.S.A.)
This missing noir masterpiece enters the canon in first place

Dancing and Dirging with Jason: On Shirley Clarke's Portrait of Jason
"Going on stage would've been awfully redundant"

Class Dismissed: Revisiting Losey and Pinter's misunderstood
masterpiece, The Servant

They also serve who only stand and annihilate

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editor and writers of
Bright Lights Film Journal

Action! Interviews with Directors
from Classical Hollywood to
Contemporary Iran

(Anthem Art and Culture),
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Bert Cardullo (Introduction),
Jonathan Rosenbaum (Foreword).
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Robert Bresson
Roger Corman (with Bruce Dern
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Allan Dwan
Clint Eastwood
Douglas Sirk
Robert Wise
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Lars von Trier
Michael Haneke
Allie Light
Melvin and Mario van Peebles
Otto Muehl
The Brothers Quay
Barbara Kopple
Federico Fellini
Abbas Kiarostami
François Truffaut
Caveh Zahedi
Peter Bogdanovich and
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  on Orson Welles

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