writers gone wild! |
Andrew Grossman in issue 64 Between Nudist Morality and Freudian Realism! Denuding Fleshly Hypocrisies, Cinematic and Otherwise "Nude on the Moon's exploitation is as innocent as the Good Christo-Nudist's reclaiming of a pre-figleafed (albeit non-recreational) Eden." in issue 62 Finding Unlikely Ideology in Prokofiev: Polyphonic and Anti-Authoritarian Gestures in The Gambler "Alexei must be condemned to the pointless, loveless, and finally false freedom of a spinning limbo, as unfinished and unfinishable as the best Bakhtinian polyphony." in issue 59 False Consonance and False Consciousness: Contrarian Notes on the Ideology of Film Music "Defenseless against music, I must submit to its despotism and, depending on its whim, be god or garbage." E. M. Cioran in issue 55 How to Hate Titles Correctly: A Pillow Book of Misguided Assertions in issue 50 Against Pleasure, Against Identification: Feminism, Cultural Atheism, and the Tragic Subject (Part Two) "The more a man dreams, the less he believes." H. L. Mencken in issue 49 Isolating Isolationism: Recent INDEX Releases from the Austrian Avant-Garde Part 1: Austrian Exhibitionists in issue 47 Against Pleasure, Against Identification: Feminism, Cultural Atheism, and the Tragic Subject (Part One) Rescuing feminism from rape and queer theory in issue 46 How to Murder John Williams: Toward an Ideology of Contrapuntal Antirealism To construct musicality through expressionism, or to express musicality through constructivism? in issue 44 Blood Feast Revisited, or H. G. Lewis as the Keeper of the Key to All Erotic Mystery After forty years, now serving porn as intentional camp for erotic consideration in issue 43 What We Talk About When We Talk About Ho Meng-Hua How to strike at the heart of a beast with the heart of a beast Twelve-Tone Cinema: A Scattershot Notebook on Sexual Atonality Is queerness an angry chord or a beautiful harmony? in issue 41 Trembling Before G-d, or Die Volkschmiere Who will judge the judges trembling before sex? The atheists! in issue 40 How to Turn One's Back on a Tyrant, Part Two The opposite of realism is not fantasy, but disappointment in issue 38 An Actionist Begins to Sing: An Interview with Otto Mühl "I have been making art for 50 years and have never quite allowed myself to be corrupted. Quite the opposite, I was locked up." (Otto Mühl) in issue 37 Bleeding Realism Dry, or How to Turn One's Back on a Tyrant The cripplingly small-minded art of verisimilitude becomes crippled by its own technology in issue 36 The Japanese Pink Film: Tandem, The Bedroom, and The Dream of Garuda on DVD All jargon and no authenticity? in issue 35 Better Beauty Through Technology: Chinese Transnational Feminism and the Cinema of Suffering Feminism adrift in a sea of ogling orientalism, global capitalism, and fatalist aesthetics Beautiful Mystery and I Like You I Like You Very Much on DVD The DVDs of these two rare gay pink films could use some extras and better source prints, but at least theyre here! in issue 33 Gohatto or the End of Oshima Nagisa? Truly subversive or mere cinematic "seasoning," in the directors own phrase? in issue 32 The Boyz of Bollywood: Kaizad Gustad's Bombay Boys These boyz mix it up, sort of, in what seems to be Indias first gay indie |
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New book from the
editor and writers of
Bright Lights Film Journal
Action! Interviews with Directors
from Classical Hollywood to
Contemporary Iran
(Anthem Art and Culture),
by Gary Morris (Editor),
Bert Cardullo (Introduction),
Jonathan Rosenbaum (Foreword).
London and New York:
Anthem Press, 2009.
"I dare anyone to squeeze between
two covers a more varied, useful and
flat out entertaining sampling of
the personalities that make the
seventh art the liveliest."
David Hudson, IFC.com
Interviews
Robert Bresson
Roger Corman (with Bruce Dern
and David Carradine)
Allan Dwan
Clint Eastwood
Douglas Sirk
Robert Wise
Mania Akbari
Lars von Trier
Michael Haneke
Allie Light
Melvin and Mario van Peebles
Otto Muehl
The Brothers Quay
Barbara Kopple
Federico Fellini
Abbas Kiarostami
François Truffaut
Caveh Zahedi
Peter Bogdanovich and
Joseph McBride
on Orson Welles