actor profiles

animation

book reviews

director profiles

documentaries

experimental &
avant garde


exploitation

film festivals

film noir

film reviews

gay & lesbian

hong kong films

horror

interviews

japanese cinema

music & musicals

silent film

tranny cinema
 
- - - - - -
To be automatically notified when the next issue is posted, join our mailing list.

writers gone wild!
Keep up with Bright Lights between issues by visiting our companion blog, Bright Lights After Dark.

  home | current issue | archives | search | about us | contact | donate | blog | links

Cleo Cacoulidis

Cleo Cacoulidis is a freelance journalist and editor living in New York City. Her work has appeared in Cineaste, The Independent, DOX, and Release Print, among others.

in issue 59

Onward and Inward: On the 2007 Thessaloniki International Film Festival — "Each work limns a moral dilemma that has no discernible answer."

in issue 49

Capturing Chaos: On the 2005 Human Rights Watch Film Festival
These docs and features show a world of upheaval — and, occasionally, hope

in issue 47

Talking to Hirokazu Kore-eda: On Maborosi, Nobody Knows, and Other Pleasures — "I simply want to look at people as they are."

in issue 44

"Too Busy Making Work": Honoring Michael Snow at the 44th Thessaloniki Film Festival — Painter, photographer, sculptor, composer, musician — and here, seminal experimental filmmaker

in issue 35

Uncertainty and Change: The 42nd Thessaloniki International Film Festival 2001 — The fest’s focus on New Argentine cinema is especially timely in light of the country’s dire economic situation

in issue 32

Yugoslavia in Focus: Observations From the Thessaloniki Documentary Festival — Archival footage, dramatizations, and dark satire capture the dire end-of-century events in the former Yugoslavia

in issue 31

Russian Cinema After Perestroika: Notes from Thessaloniki International Film Festival — A heady tour of recent Russian cinema from one of Europe’s oldest festivals