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Books

Reviewed in issue 61

Harlan Ellison's Watching, by Harlan Ellison

Reviewed in issue 60

Pictures at a Revolution: Five Movies and the Birth of the New Hollywood, by Mark Harris

Reviewed in Issue 38

German National Cinema, by Sabine Hake

The New Dictionary of Film, by David Thomson

Joan Crawford: The Essential Biography by Lawrence J. Quirk and William Schoell

Reviewed in Issue 37

Classic Hollywood, Classic Whiteness, ed. by Daniel J. Bernardi

Walking with the Wind, by Abbas Kiarostami

Keeping the British End Up: Four Decades of Saucy Cinema, by Scott Sheridan, and Hollywood's Film Wars with France, by Jens Ulff Møller

Reviewed in Issue 36

Framing the South: Hollywood, Television, and Race During the Civil Rights Struggle, by Allison Graham

The Money Shot: Cinema, Sin, and Censorship, by Jane Mills

Addicted: The Myth and Menace of Drugs in Film, ed. by Jack Stevenson

Jacques Tourneur: The Cinema of Nightfall, by Chris Fujiwara

Member of the Crew, by Winfrid Kay Thackrey

John Ford Interviews, edited by Gerald Peary

George Cukor Interviews, edited by Robert Emmet Long

The Moving Image, edited by Jan-Christopher Horak

The Women of Warner Brothers: The Lives and Careers of 15 Leading Ladies, by Daniel Bubbeo

White Zombie: Anatomy of a Horror Film, by Gary D. Rhodes

Movie Poster Price Almanac: 2002 Review, edited by John Kisch

Reviewed in Issue 35

"It’s Only a Movie!": Films and Critics in American Culture, by Raymond J. Haberski

Close Up, Iranian Cinema Past Present and Future, by Hamid Dabashi

Reviewed in Issue 34

The Western Genre: From Lordsburg to Big Whiskey, by John Saunders

Searching for John Ford: A Life, by Joseph McBride

My Son Divine, by Frances Milstead, with Kevin Heffernan and Steve Yeager

Reviewed in Issue 33

Actors Talk: Profiles and Stories from the Acting Trade, by Dennis Brown

France on Film: Reflections on Popular French Cinema, edited by Lucy Mazdon

Reviewed in Issue 32

The Nashville Chronicles: The Making of Robert Altman’s Masterpiece, by Jan Stuart

Complicated Women: Sex and Power in Pre-Code Hollywood, by Mick LaSalle

On Cukor, by Gavin Lambert, edited by Robert Trachtenberg

Reviewed in Issue 29

Celluloid Mavericks: A History of American Independent Film, by Greg Merritt

Reviewed in Issue 28

Out Takes: Essays on Queer Theory and Film, by Ellis Hanson

Back Lot: Growing Up with the Movies, by Maurice Rapf

Reviewed in Issue 27

Sin in Soft Focus: Pre-Code Hollywood, by Mark Vieira

The Werewolf Book: The Encyclopedia of Shape-Shifting Things, by Brad Steiger

Reviewed in Issue 26

Jean Arthur: The Actress Nobody Knew, by John Oller

VideoHound’s War Movies: Classic Conflict on Film, by Mike Mayo

100 Years of Oz: A Century of Classic Images from The Wizard of Oz collection of Willard Carroll, by John Fricke

Detours and Lost Highways: A Map of Neo-Noir, by Foster Hirsch

The Ultimate Directory of Film Technicians: A Necrology of Dates and Place of Births and Deaths of More Than 9,000 Producers, Screenwriters, Composers, Cinematographers, Art Directors, Costume Designers, Choreographers, Executives, and Publicists, by Billy H. Doyle (Consulting Editor: Anthony Slide)

The Ultimate Directory of Silent and Sound Era Performers, by Billy H. Doyle (Consulting Editor: Anthony Slide)

Eccentrics of Comedy, by Anthony Slide

Reviewed in Issue 25

The Vampire Book: The Encyclopedia of the Undead, by J. Gordon Melton

The St. James Women Filmmakers Encyclopedia: Women on the Other Side of the Camera, edited by Amy L. Unterberger

Stranger Than Paradise: Maverick Film-makers in Recent American Cinema, by Geoff Andrew

Reviewed in Issue 23

Harvey Keitel: The Art of Darkness, by Marshall Fine

That's Enough, Folks: Black Images in Animated Cartoons, 1900-1960, by Henry T. Sampson

The Vampire Gallery, by J. Gordon Melton

VideoHound's Golden Movie Retriever, 1999, edited by Martin Connors and Jim Craddock

Reviewed in Issue 22

Little Joe, Superstar: The Films of Joe Dallesandro, by Michael Ferguson

The New Historical Dictionary of the American Film Industry, by Anthony Slide

Joseph H. Lewis: Overview, Interview, and Filmography, by Francis M. Nevins

Reviewed in Issue 21

Sing Out! Gays and Lesbians in the Music World, by Boze Hadleigh

VideoHound's Soundtracks, edited by Didier C. Deutsch

VideoHound's Independent Film Guide, by Monica Sullivan

Vamps: An Illustrated History of the Femme Fatale, by Pam Keesey

Billy Wilder, by Bernard F. Dick

William Wyler: A Talent for Trouble, by Jan Herman

September Song: An Intimate Biography of Walter Huston, by John Weld

Marihuana, Motherhood and Madness: Three Screenplays by Dwain Esper, by Bret Wood

Reviewed in Issue 20

VideoHound's Vampires on Video, by J. Gordon

VideoHound's Video Premieres, by Mike Mayo

Immoral Tales, by Cathal Tohill & Pete Tombs

Filmmaking on the Fringe: The Good, the Bad, and the Deviant Director, by Maitland McDonagh

Jackie Chan: Inside the Dragon, by Clyde Gentry III

Horror and Science Fiction Films IV, by Donald C. Willis

Reviewed in Issue 18

Grindhouse: The Forbidden World of "Adults Only" Cinema, by Eddie Muller and Daniel Faris

Reviewed in Issue 15

A Woman's View: How Hollywood Spoke to Women 1930-1960, by Jeanine Basinger

Fearing the Dark: The Val Lewton Career, by Edmund G. Bansak

Reframing Culture: The Case of the Vitagraph Quality Films, by William Uricchio and Roberta E. Pearson

Contemporary Argentine Cinema, by David William Foster

I Was Interrupted: Nicholas Ray on Making Movies, by Nicholas Ray (edited by Susan Ray)