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	<title>Bright Lights After Dark &#187; Michael Powell</title>
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	<link>http://www.brightlightsfilm.com/blog</link>
	<description>Bright Lights Film Journal&#039;s companion blog</description>
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		<title>THE HURT LOCKER’s Genre Roots</title>
		<link>http://www.brightlightsfilm.com/blog/2009/12/the-hurt-locker%e2%80%99s-genre-roots.html</link>
		<comments>http://www.brightlightsfilm.com/blog/2009/12/the-hurt-locker%e2%80%99s-genre-roots.html#comments</comments>
		<pubDate>Mon, 21 Dec 2009 17:55:00 +0000</pubDate>
		<dc:creator>C. Jerry Kutner</dc:creator>
				<category><![CDATA[Bon Mots]]></category>
		<category><![CDATA[Blake Edwards]]></category>
		<category><![CDATA[Don Siegel]]></category>
		<category><![CDATA[genre]]></category>
		<category><![CDATA[Jeremy Renner]]></category>
		<category><![CDATA[Kathryn Bigelow]]></category>
		<category><![CDATA[Michael Powell]]></category>
		<category><![CDATA[Robert Wise]]></category>
		<category><![CDATA[Steve McQueen]]></category>
		<category><![CDATA[The Hurt Locker]]></category>
		<category><![CDATA[war]]></category>

		<guid isPermaLink="false">http://www.brightlightsfilm.com/blog/?p=25</guid>
		<description><![CDATA[The reason why Kathryn Bigelow’s The Hurt Locker succeeds where every other Iraq War movie made to date has failed has little to do with the war itself. Audiences have generally avoided films dealing with this unpopular – and probably unwinnable – conflict/occupation. If The Hurt Locker seems as fresh and compelling as it does, [...]]]></description>
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		<slash:comments>6</slash:comments>
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		<title>The Vertigo-Narcissus Connection</title>
		<link>http://www.brightlightsfilm.com/blog/2009/09/the-vertigo-narcissus-connection.html</link>
		<comments>http://www.brightlightsfilm.com/blog/2009/09/the-vertigo-narcissus-connection.html#comments</comments>
		<pubDate>Wed, 30 Sep 2009 20:43:00 +0000</pubDate>
		<dc:creator>C. Jerry Kutner</dc:creator>
				<category><![CDATA[Bon Mots]]></category>
		<category><![CDATA[Alfred Hitchcock]]></category>
		<category><![CDATA[Black Narcissus]]></category>
		<category><![CDATA[Emeric Pressburger]]></category>
		<category><![CDATA[Jack Cardiff]]></category>
		<category><![CDATA[Marnie]]></category>
		<category><![CDATA[Michael Powell]]></category>
		<category><![CDATA[Vertigo]]></category>

		<guid isPermaLink="false">http://www.brightlightsfilm.com/blog/?p=62</guid>
		<description><![CDATA[http://www.youtube.com/watch?v=UrQIV3aYfiw In celebration of the birthday of director Michael Powell (1905-1990) today, I’d like to share with you this clip from Powell &#038; Emeric Pressburger’s 1947 color masterpiece, Black Narcissus, a story of spirituality, sexuality, and madness set in the exotic Himalayas. Note in particular the many similarities to the climax of Alfred Hitchcock’s Vertigo [...]]]></description>
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		<slash:comments>8</slash:comments>
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		<title>Jack Cardiff, Cinematographer (1914-2009)</title>
		<link>http://www.brightlightsfilm.com/blog/2009/04/jack-cardiff-cinematographer-1914-2009.html</link>
		<comments>http://www.brightlightsfilm.com/blog/2009/04/jack-cardiff-cinematographer-1914-2009.html#comments</comments>
		<pubDate>Thu, 23 Apr 2009 11:34:00 +0000</pubDate>
		<dc:creator>C. Jerry Kutner</dc:creator>
				<category><![CDATA[Bon Mots]]></category>
		<category><![CDATA[A Matter of Life and Death]]></category>
		<category><![CDATA[Audrey Hepburn]]></category>
		<category><![CDATA[Emeric Pressburger]]></category>
		<category><![CDATA[Jack Cardiff]]></category>
		<category><![CDATA[King Vidor]]></category>
		<category><![CDATA[Michael Powell]]></category>
		<category><![CDATA[War and Peace]]></category>

		<guid isPermaLink="false">http://www.brightlightsfilm.com/blog/?p=157</guid>
		<description><![CDATA[So many other bloggers have posted tributes to the late, great, Jack Cardiff that it was difficult to find an image that hadn&#8217;t already been posted at one of those blogs. However, here is the radiant Audrey Hepburn, radiantly photographed by Cardiff, in one of the finest epics ever made, King Vidor&#8217;s War and Peace [...]]]></description>
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		<title>More Powell &#8211; AGE OF CONSENT</title>
		<link>http://www.brightlightsfilm.com/blog/2007/02/more-powell-age-of-consent.html</link>
		<comments>http://www.brightlightsfilm.com/blog/2007/02/more-powell-age-of-consent.html#comments</comments>
		<pubDate>Tue, 13 Feb 2007 13:32:00 +0000</pubDate>
		<dc:creator>C. Jerry Kutner</dc:creator>
				<category><![CDATA[Bon Mots]]></category>
		<category><![CDATA[Age of Consent]]></category>
		<category><![CDATA[Helen Mirren]]></category>
		<category><![CDATA[James Mason]]></category>
		<category><![CDATA[Lolita]]></category>
		<category><![CDATA[Michael Powell]]></category>

		<guid isPermaLink="false">http://www.brightlightsfilm.com/blog/?p=269</guid>
		<description><![CDATA[English-born Michael Powell, like the American John Ford, was a master at creating idealized filmic universes. A Canterbury Tale (1944), discussed by Erich Kuersten below, shows one such idealized world. Powell’s last feature film, Age of Consent (1969), depicts another, similar in many ways to Donovan’s Reef (1963), one of Ford’s last films. Creating idealized [...]]]></description>
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		<slash:comments>0</slash:comments>
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