Oct 242009
Watching the marvelous Blu-ray edition of Disney’s Snow White and the Seven Dwarfs (1937), I was struck by how certain shots foreshadowed the imagery of Orson Welles’ Citizen Kane (1941) released by the same studio, RKO, only four years later: the gothic castle at night with its one glowing window …
… the outstretched ... read more »
Posted by C. Jerry Kutner
Tagged with: archetype, Citizen Kane, Disney, James Joyce, Orson Welles, Snow White and the Seven Dwarfs
Jun 222009
The upcoming release of Alain Resnais’s classic Last Year at Marienbad on Blu-ray DVD reminds us that Marienbad was one of the many formally ambitious films released in the 1960s that popular critic Pauline Kael simply didn’t “get.” Blind to its visual beauties, indifferent to its innovative stylistic strategies, she dismissed Resnais’s masterwork as pretentious ... read more »
Posted by C. Jerry Kutner
Tagged with: Alain Resnais, Citizen Kane, Last Year at Marienbad, Pauline Kael
Jun 042009
Anyone with more than a passing interest in the films of Orson Welles (and not just Citizen Kane) should immediately check out American: Exhibits from the C.F. Kane Museum, described at The Auteurs’ Notebook, where it is temporarily posted, as “a six-part video investigation into the work of Orson Welles by B. Kite.”
Kite’s technique – ... read more »
Posted by C. Jerry Kutner
Tagged with: B. Kite, Citizen Kane, experimental, Jean-Luc Godard, Orson Welles
Mar 262008
I was depressed to hear about the Village Voice’s firing of critic Nathan Lee. (GreenCine Daily has collected links here.) Lee was one of the best film writers in the country – see, for example, his very New York specific review of Cloverfield – but apparently the Voice thought it didn’t really need him so ... read more »
Posted by C. Jerry Kutner
Tagged with: Citizen Kane, Nathan Lee, newspapers, Village Voice
May 152007
Years ago – when I was a teenage film buff, so to speak – I remember reading someone’s description of Orson Welles’ Citizen Kane as “a perfect film.” “Perfect?” I asked myself, “What about that rubber octopus? I’ve never seen anything so phony looking in my life!”
I was thinking, of course, of the rubber octopus ... read more »
Posted by C. Jerry Kutner
Tagged with: Citizen Kane, Ed Wood, F for Fake, Grindhouse, Guy Maddin, Orson Welles, Woody Allen
Jul 202006
In a prior post, I referred to the films of Richard Linklater as “logocentric,” by which I mean – in a good way – that no matter how visual Linklater’s films may be, they are fundamentally word-centered. (The same could be said of Godard’s.)
The term is appropriated from the late Columbia professor, literary theorist, and ... read more »
Posted by C. Jerry Kutner
Tagged with: Citizen Kane, Edward Said, Joseph Conrad, Orson Welles, radio