From the editor and writers of Bright Lights Film Journal
Action! Interviews with Directors from Classical Hollywood to Contemporary Iran
(Anthem Art and Culture), by Gary Morris (Editor), Bert Cardullo (Introduction), Jonathan Rosenbaum (Foreword). London and New York: Anthem Press, 2009.
"I dare anyone to squeeze between two covers a more varied, useful and flat out entertaining sampling of the personalities that make the seventh art the liveliest."
David Hudson, IFC.com
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Ian Johnston
Ian Johnston
Taipei, Taiwan
Ian Johnston is a New Zealander living in Taipei, Taiwan. His work has appeared in The Film Journal.
» The Story of a Guy Who Wants to Kill a Guy Who Wants to Die: Claude Chabrol's Bellamy (BLFJ 69 – August 2010)
"The good news from Bellamy is that Depardieu gives one of his best performances in years."
» The Children Are Watching You: Michael Haneke's The White Ribbon (BLFJ 68 – May 2010)
"Like any old-style modernist, Haneke likes to make the audience work."
» Books: A Short History of Cahiers du Cinéma (BLFJ 68 – May 2010)
by Emilie Bickerton
» Sleep Stalking: Jerzy Skolimowski's Four Nights with Anna (BLFJ 65 – August 2009)
"Just like you wanted, grandma. I'm seeing a woman."
» Liverpool Lullaby: On Terence Davies' Of Time and the City (BLFJ 63 – February 2009)
"Through cinema the past is regained."
» Ghosts of the Present: On Aditya Assarat's Wonderful Town (BLFJ 61 – August 2008)
"The film is both a bittersweet love story and a memorial to the tsunami victims."
» Still, Life: Looking at Jia Zhang-ke's Recent Masterpiece (BLFJ 58 – November 2007)
"Present-day society doesn't suit us because we're too nostalgic."
» Blow the Man Down: Aki Kaurismaki's Lights in the Dusk (BLFJ 57 – August 2007)
"The grafting on of the film's film noir plot has a reductionist minimalism to it, as if Kaurismaki were sketching an archetype . . ."
» Butterfly Dream: Tsai Ming-liang's I Don't Want to Sleep Alone (BLFJ 57 – August 2007)
"There's no overt sexuality to Rawang's care for Hsiao Kang. It's a tender act of love, a selfless giving of himself to another."
» Lost World: Michael Haneke's Time of the Wolf Reconsidered (BLFJ 56 – May 2007)
"What we're given is a sense that the structures of our civilisation have broken down ..."
» No Exit: On Matthias Glasner's The Free Will (BLFJ 56 – May 2007)
"It's a critique that is one step away from excusing Theo (the 'woman was asking for it' defence) ..."
» Train to Nowhere: On Renoir's La Bête Humaine (BLFJ 54 – November 2006)
"Now it is a world of studio sets and the precise control of the effects of light and shadow."
» "We're Not Happy and We Never Will Be": On Cronaca di un amore (BLFJ 53 – August 2006)
Antonioni's early masterpiece looks better than ever
» School Daze: The Curious Young Girls of Lucile Hadzihalilovic's Innocence (BLFJ 53 – August 2006)
"Don't resist, my dear."
» Wim, We Hardly Know Ye: On Wenders' Don't Come Knocking (BLFJ 51 – February 2006)
The bad news is . . . there's not much good news
» We're Just Taller Children: On the Dardennes' L'Enfant (BLFJ 51 – February 2006)
The Belgian humanists' most Bressonian film to date
» How Sweet to Be a Cloud? Fancy and Fucking Collide in Tsai-Ming Liang's Latest (BLFJ 50 – November 2005)
Tsai pushes the art/porn envelope — or does he?
» Train to Somewhere: Hou Hsiao-hsien Pays Sweet Homage to Ozu in Café Lumière (BLFJ 48 – May 2005)
Hou honors the master while remaining true to his own vision
» Compliments to the Chef: Three . . . Extremes: Dumplings Expertly Mixes Social Critique and Questionable Cuisine (BLFJ 48 – May 2005)
Bring some dramamine to Fruit Chan's best film to date
» Unhappy Together: Wong Kar-Wai's 2046 (BLFJ 47 – February 2005)
"Why can't it be like before?"
» Plumbing the Depths: Renoir and Kurosawa Do Gorky (BLFJ 47 – February 2005)
Criterion's double-feature DVD features two minor works by two major auteurs
» Martha, Interrupted: Fassbinder's 1974 Masterpiece on DVD (BLFJ 46 – November 2004)
"You're always wanting to touch me!"

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