From the editor and writers of Bright Lights Film Journal
Action! Interviews with Directors from Classical Hollywood to Contemporary Iran
(Anthem Art and Culture), by Gary Morris (Editor), Bert Cardullo (Introduction), Jonathan Rosenbaum (Foreword). London and New York: Anthem Press, 2009.
(Anthem Art and Culture), by Gary Morris (Editor), Bert Cardullo (Introduction), Jonathan Rosenbaum (Foreword). London and New York: Anthem Press, 2009.
"I dare anyone to squeeze between
two covers a more varied, useful and
flat out entertaining sampling of
the personalities that make the
seventh art the liveliest."
David Hudson, IFC.com
David Hudson, IFC.com
Robert von Dassanowsky
Colorado Springs, CO, USA
Robert von Dassanowsky is Professor of German and Film and director of the Film Studies Program at the University of Colorado, Colorado Springs. He has served as the editor of The Gale Encyclopedia of Multicultural America, 2nd Ed. and editorial advisor to the International Dictionary of Films and Filmmakers. His examinations of film and literature have appeared in widely in journals and anthologies. His most recent books are Austrian Cinema: A History (2005), New Austrian Film (co-ed with Oliver C. Speck, 2011) and Hugo von Hofmannsthal's Der Schwierige Revisited (co-ed with Martin Liebscher and Christophe Fricker, 2011). Forthcoming are edited collections on Tarantino's Inglourious Basterds, World Film Locations: Vienna, and his book Screening Transcendence: Film under Austrofascism 1933-38. Dassanowsky is also active as an independent film producer.
» Book Review: Male Bisexuality in Current Cinema: Images of Growth, Rebellion and Survival (BLFJ 72 – May 2011)
by Justin Vicari
» Austria Hungry: The Return of a Film Nation (BLFJ 51 – February 2006)
Vienna's forgotten influence and new Austrian film
» An Unclaimed Country: The Austrian Image in American Film and the Sociopolitics of The Sound of Music (BLFJ 41 – August 2003)
On cliché, culture, and locating national identity in Wise's epic musical
» Book Review: German National Cinema (BLFJ 38 – November 2002)
by Sabine Hake
» Casino Royale at 33: The Postmodern Epic in Spite of Itself (BLFJ 33
– April 2000)
It's really a courtly epic in '60s drag, kids!
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