From the editor and writers of Bright Lights Film Journal
Action! Interviews with Directors from Classical Hollywood to Contemporary Iran
(Anthem Art and Culture), by Gary Morris (Editor), Bert Cardullo (Introduction), Jonathan Rosenbaum (Foreword). London and New York: Anthem Press, 2009.
"I dare anyone to squeeze between two covers a more varied, useful and flat out entertaining sampling of the personalities that make the seventh art the liveliest."
David Hudson, IFC.com
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R.L. Armstrong
R. L. Armstrong
Cambridge, England, UK
Rla34@cam.ac.uk
R. L. Armstrong is an Associate Tutor affiliated with the British Film Institute. He did his PhD research at Cambridge University on the representation of mourning in modern and contemporary cinema. Current projects include a monograph for Wallflower on Jacques Touneur's I Walked with a Zombie and a book on the aesthetics of mourning cinema for Cambridge Scholars' Publishing. In 2005 he brought the work of the "lost" British film writer Irene Dobson to international attention. Previous works include Billy Wilder (McFarland, 2000), Understanding Realism (British Film Institute, 2005), and he is co-author with Tom Charity, Jessica Winter and Lloyd Hughes, of the Rough Guide to Film (Penguin, 2007). In Cambridge he has a reputation for pranksterism and social frenzy that follows him about like a rumour of swine "flu."
Notes on a Scandal: On Film Criticism and Its Teachers (BLFJ 57 - August 2007)
— Will the twain ever meet?
The Image-Makers, at Dusk: On the Documentary Visions of Light: The Art of Cinematography (BLFJ 53 - August 2006)
Glassman uncovers networks of influence and inference, whole microhistories around the camera . . ."
To Dance Without Warning: Reliving The Last Days of Chez Nous (BLFJ 50 - November 2005)
You can go home again
Millions Like Us: Bereavement in British Cinema (BLFJ 45 - August 2004)
"All the lonely people, where do they all come from?"
They Lost It at the Movies: Film Culture in the Age of Positif and Cineaste (BLFJ 40 - May 2003)
"I can't believe you let these people put pictures on your skin." — C. W.'s father to C. W. Moss in Bonnie and Clyde
South of the Chocolate Mountains: Scattered Impressions of the Hitchhiker (BLFJ 37 - August 2002)
Ida Lupino: Mother of us all!
The King Steps Out: Goodbye to Billy Wilder (BLFJ 36 - May 2002)
"A brain full of razor blades and a heart full of chutzpah"
The Money Shot: Cinema, Sin, and Censorship (BLFJ 36 - May 2002)
Jane Mills reiterates the role of politics and polemics in film criticism
"It’s Only a Movie!": Films and Critics in American Culture (BLFJ 35 - January 2002)
Raymond J. Haberski Jr.'s account of American film criticism's first golden age
The Western Genre: From Lordsburg to Big Whiskey (BLFJ 34 - October 2001)
John Saunders' introduction to the western
France on Film: Reflections on Popular French Cinema (BLFJ 33 - July 2001)
A collection of academic essays, edited by Lucy Mazdon

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