August 2011 | Issue 73
From the Editor
Features
"Your body is a microcosm of all existence." – Death: A Love Story
Bodies Politic/Body Politics

Giuliano Vivaldi
"If the silent period showed the flashes of brilliance as well as the unevenness of Barnet's talent, the next few years would see him produce two worldwide masterpieces that place him as a precursor of French Poetic Realism and the work of Jean Renoir, as well as an influence on the French New Wave through the works of Truffaut, Godard, and Rivette."
Articles
Natalie Bograd
"Veering away from jingoistic portrayals of 'us' and the 'Other,' these films advocate instead a complex and globally entwined future of hybrid identities along with critical consideration of the political and cultural consequences of advanced technology."
Cylons, Avatars, and Barack Obama

"Being beautiful fights trivializing and ironization by the camera; it saves the women from being regarded as cheap or inscrutable. Elegance and glamour paradoxically grant these subjects an inner life."
"But we can imagine infinite other, less stodgy flavors: a Saragossa Manuscript of Neapolitan layers within layers within layers; a Cannibal Holocaust of pure cherry surrounding a chunky mystery surprise; a Seventh Seal of precious white vanilla lost in an ominous ocean of midnight chocolate."
"How do you get a "Headstart" program going that isn't about implanting early entrepreneurial ambitions in toddlers but one that gets a head start on that sort of brain ownership? More difficult: How do you develop a resistance to such ownership by the surround we are born into without falling into the illusions of an individual will-to-power?"
Alex Kirschenbaum
"I didn't mean to call you a meatloaf, Jack!"
Peter Lee
"With flags fluttering, the cast stoically stands at attention, with tears streaming down their stiff upper lips. Even with their country's destruction, the boys reflect a military mentality, still in service to their country."
"Attempts to create interesting projects of any sort despite our limitations can sometimes touch us more deeply than slick illusions that – literally by design – hide a lot of skill and effort, yet, in so doing, also hide something of the crazy courage it takes just to be human."
Movies
Jonathan McCalmont
"Kim decided to retreat into an interior world where he does not need to confront or take but where his time can be sucked up by shitting in fields, smoking fish, getting drunk, and singing."
Arirang

Ian Murphy
"Language is a skin: I rub my language against the other." – Roland Barthes, A Lover's Discourse: Fragments
L. Andrew Cooper
"Britt looks like the top as he bends Kato over and as he barks orders at his employee, but as every physical confrontation in the film demonstrates, Kato is the stronger man in both mind and body."
"Facing fear and not concoctions of fear serving the needs of our own resident guardians of wealth and power is a far different enterprise than joining the enthusiasts of self-empowerments' call "to just wish it."
Terri Carney
"There is no excuse for what others have called the "bro-magnon" film The Hangover, which unapologetically and even aggressively defends the model of masculinity that poo-poos date rape as some feminazi invention to further harass those poor, horny, entitled men."
Allen H. Redmon
"While Altman's description of the detective and his generic milieu as it evolved by the early 1970s works up to a point, the idea that his film closes a genre fails under examination. Such a position misjudges the primary pleasure derived from the American detective film, and misinterprets the satisfaction The Long Goodbye's ending provides when set within this pleasure and these films."
"The sheer physical immensity of this space threatens to hijack everything else in the film, and it's a testament to Reichardt's directorial intelligence that she lets it, and that she makes it work as part of a larger project."
"Malick invites us to marvel at a universe created for our benefit and an afterlife in which all our cares will be resolved. The best part of the movie – Brad Pitt taunting his sons, willing them to rebel against an authority he doesn't believe he deserves – vanishes behind a scrim of inane space flotsam, while the combination of the two endows Jack's childhood with a world-historical weight it can't possibly bear."
Television
"You want answers?"
"I want the truth!"
"You can't handle the truth!"
Aaron Sorkin's Moral Compass

"The arrival of Kirk on the scene precipitates a kind of crisis in the equilibrium of this pair of older, controlling-male and young subordinate-woman. What happens is that the woman is somehow awakened by the arrival of the Enterprise crew – awakened sexually, but also in a much broader sense."
Short Features
Matthew Sewell
"Magnolia's most instructive revelation occurs obliquely and, quite literally, microscopically. The shot occurs during the climactic rain of frogs, as Claudia and her mother, panicked, cling to each other in Claudia's apartment. The camera bends away from their embrace toward one of Claudia's paintings, zooming in so that we can read the words "but it did happen" in the bottom right corner . . ." "But It Did Happen" – Paul Thomas Anderson's Magnolia
Magnolia

Stars
Meredith Hicks
"Almost everything about Greer, her graceful figure, little mannerisms, the way she walks, talks, and smiles, reminds us of the Nineties, when Papa sat at the head of the table, airing his arrogant opinions, and never dreaming that his demure little wife, resourceful as a dozen U.S. Army engineers, was twisting him around her little finger, really running him and everything else in the house."
Greer Garson

Directors
Santiago Rubín de Celis
"For him, film was not only a profession but a mean of investigating cinema as a language, an investigation in which theory and film practice went hand in hand."
Festivals
"It's encouraging to see how articulate and unafraid many of the kids in Put This on the Map are in deciding who they want to be, how they want to live, and even what they want to be called: 'Very gay,' 'an ally,' 'dating an FTM,' 'not straight, gay, bi, anything.'"
2011 QDoc

Columns
An ongoing column that looks at some of the most intriguing of recent, under-the-radar releases
Bright Sights

Books
The Celluloid Closet, by Vito Russo
Reviewed by Mark Adnum
They Live, by Jonathan Lethem
Reviewed by Chad Trevitte
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I'm sick of movies, Mr. Webmaster. Take me away!

» Archive.org
Gazillions of free books, audio, and video. Grab 'em before the copyright police come knocking!

» Glenn Greenwald
The indomitable civil liberties champion takes exception to American exceptionalism. You will too when you read his blistering analyses.

» Project Gutenberg
See Archive.org.

» Creative Commons
"All Creative Commons licenses have many important features in common. Every license helps creators retain copyright while allowing others to copy, distribute, and make some uses of their work — at least non-commercially."

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Monumental site devoted to '60s pop music – you know, that stuff playing in the background during the orgy.

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