writers gone
wild! |
An Infarction to Die For Steven Soderbergh's Ocean's Thirteen Future generations will study Steven Soderbergh's latest, Ocean's Thirteen. Not future film scholars, of course, but future MBAs, seeking to learn how El Stevo delivered what looks to be an all-star mega-pic on a B-movie budget. A few pointers: Wardrobe: The fewer changes, the better. Ellen Barkin, the one chick in the picture, wears the same red dress in 90% of her shots. Guys' clothes, of course, we don't even notice. Which leads to rule 2. The fewer chicks, the better: Chicks are expensive hairdressers, makeup, clothes, it all adds up, and fast! And, when it comes to chicks, guys are pretty much happy to look at one pair of tits through the whole picture. Ellen's boobs floated Ocean's Thirteen, and a similar (even cheaper!) set can float your picture too.
Keep it simple, stupid! Rehearsals! Who needs them? Put the dialogue on cue cards little words in big letters and keep it moving! Props are cheaper than people: A model of a nonexistent hotel (a flamboyant, Gehryesque skyscraper) gets more screen time in Ocean's Thirteen than half the cast put together. And the five-minute documentary sequence on how dice are made was fantastic. Outside is expensive: Natural light tends to wash out colors, tends to glare, and tends to cast harsh shadows. Correcting this is expensive, so don't do it! Let your audience suffer! Be correct! We know that Ellen Barkin is a bad person because she fires a waitress for gaining four pounds. Because it is so wrong to discriminate against fat people. I confess that some of Ocean's Thirteen was a little over my head. For example, I thought that Andy Garcia was Alec Baldwin, so I kept waiting for Alec to show up and do something mean, and instead Andy Garcia showed up and did something mean. What was up with that? But I finally figured it out. Also, I didn't get the bit about the $11 million at all.1 But there is one gag at the end that is well set up and quite funny, so if you go to Ocean's Thirteen you won't always be laughing at your own gullibility. Afterwords
1. Want to know more? See the picture! George Clooney didn't give me a free week in Vegas for nothing! 2. Just kidding. August 2007 | Issue
57 ALSO: Check out other fine articles and reviews by the author. |
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New book from the
editor and writers of
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Action! Interviews with Directors
from Classical Hollywood to
Contemporary Iran
(Anthem Art and Culture),
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Jonathan Rosenbaum (Foreword).
London and New York:
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Interviews
Robert Bresson
Roger Corman (with Bruce Dern
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Allan Dwan
Clint Eastwood
Douglas Sirk
Robert Wise
Mania Akbari
Lars von Trier
Michael Haneke
Allie Light
Melvin and Mario van Peebles
Otto Muehl
The Brothers Quay
Barbara Kopple
Federico Fellini
Abbas Kiarostami
François Truffaut
Caveh Zahedi
Peter Bogdanovich and
Joseph McBride
on Orson Welles