writers gone
wild! |
Ronald Reagan's Shoot from Hell! Cattle Queen of Montana The recent release of Ronald Reagan's White House Diaries has produced the usual snickers from the usual suspects the self-appointed, self-anointed cognoscenti who pollute the airwaves with their endless contempt for everything that makes America great. Apparently, the fact that Ronnie's most private musings have the intellectual consistency of Gerber's strained prunes is somehow considered a mark against him! The fact is, Ronald Reagan was a man of passion, a man of deep passion. Any man who could call Nancy Reagan "mommy poopie pants" to her face and make her like it was a man of legend and a man of passion.1 And if you want proof, all you have to do is read the letters Ronnie wrote to Nancy describing Ronnie's shoot from Hell, Cattle Queen of Montana. Cattle Queen of Montana was produced by Benedict Bogeaus, who was definitely not Ronald Reagan's favorite person. Ben totally ignored all of Ronnie's script suggestions, the one thing that could have saved the picture. But with Ben around, everything was bound to be "buggered up," as Ronnie so eloquently put it. Ronnie got no help at all, to put it mildly, from co-star Barbara Stanwyck ("Lady S."),2 who "continues to go on her merry way in the exclusive company of two hairdressers and a maid." Excuse me, but didn't Ronnie deserve a hairdresser or two himself? And a maid!
The capper came when a pair of locals, hired as extras, showed up with their minimum-wage keesters astride "registered thoroughbreds."4 Registered thoroughbreds, goddamn it! Registered thoroughbreds! While Ronnie was stuck on a "lame Palomino" the size of a yearling! How is a man who is, excuse me, a star, supposed to deliver a performance under those circumstances? AfterwordsReagan's diaries and letters depict a man who instinctively hid/expressed all his emotions through the tritest banalities, repeated over and over again.5 To my mind, the most revealing story about Ronnie concerns a little-known character named Joe Canzeri. Joe was major domo to Nelson Rockefeller back in the day, which was major major domo. When Rocky kicked the bucket, courtesy of an overenthusiastic secretary,6 Joe, very like Leporello on the sudden departure of Don Giovanni, sought a new master and found one in Ronnie. They got along well, although Ronnie never quite got a handle on Joe's name. In RonnieSpeak, "Joe Canzeri" came out "Tony Canzoni." Because Italians all have funny names! And they're all named Tony!
Bright Lights editor Gary Morris interviews Cattle Queen director Allan Dwan here. Dwan escaped the wrath of Ronnie, so he must have been a straight shooter, but surely he could have done something about finding a decent mount (and a decent hairdresser) for our 40th president. Notes1. Liked it, hell, she loved it! She begged for it! 2. For more on Lady S., go here, to a site maintained by a guy who, I'm guessing, is also into Barbra Streisand. 3. One of the Reagans' favorite wines. They shared a bottle at 21 in the "pigeon crap encrusted town" of New York, New York. Ronnie's antipathy to the Big Apple was mostly due to the fact that he associated it with TV (TV and commies). Reagan did a lot of early, live TV (because he couldn't get jobs in movies) and he hated it. The "studios" were often in basements, and you had to memorize your lines! They couldn't even afford cue cards! I'm sorry but this is not an art form as I understand the term! 4. Ronnie's underlining, as reproduced by Nancy in I Love You, Ronnie. Apart from Ronnie's (very) few outbursts of real emotion, the entertainment value of this little book lies entirely in Nancy's amusingly evasive commentary, which strives to conceal the fact that both their careers were falling apart in the early fifties. 5. Efforts of online hipsters to make Ronnie sound like a bad dad don't impress me. He didn't beat his kids with a studded belt, did he? So for Hollywood he was average or better.
August 2007 | Issue
57 ALSO: Check out other fine articles and reviews by the author. |
![]()
New book from the
editor and writers of
Bright Lights Film Journal
Action! Interviews with Directors
from Classical Hollywood to
Contemporary Iran
(Anthem Art and Culture),
by Gary Morris (Editor),
Bert Cardullo (Introduction),
Jonathan Rosenbaum (Foreword).
London and New York:
Anthem Press, 2009.
"I dare anyone to squeeze between
two covers a more varied, useful and
flat out entertaining sampling of
the personalities that make the
seventh art the liveliest."
David Hudson, IFC.com
Interviews
Robert Bresson
Roger Corman (with Bruce Dern
and David Carradine)
Allan Dwan
Clint Eastwood
Douglas Sirk
Robert Wise
Mania Akbari
Lars von Trier
Michael Haneke
Allie Light
Melvin and Mario van Peebles
Otto Muehl
The Brothers Quay
Barbara Kopple
Federico Fellini
Abbas Kiarostami
François Truffaut
Caveh Zahedi
Peter Bogdanovich and
Joseph McBride
on Orson Welles