(Anthem Art and Culture), by Gary Morris (Editor), Bert Cardullo (Introduction), Jonathan Rosenbaum (Foreword). London and New York: Anthem Press, 2009.
David Hudson, IFC.com
Grandma's Boy probably started out as a nod to the Harold Lloyd classic, a remake that would star producer Adam Sandler.
2 But it appears that remaking The Longest Yard took all the stretch out of Adam's acting muscle and he turned over the lead to long-time producing/writing buddy Allen Covert.3 Covert, no spring chicken and no pretty face, wisely surrounded himself with a collection of lamos and lardbutts the kind of people usually kept on the other side of the camera so that he wouldn't look completely out of place. In the midst of all this overwhelmingly ordinary humanity is Cardellini's slender, graceful, perfectly coiffed presence, the contrast making her look for all the world like a ballerina at a barn dance in Fat Ass, Nebraska.4
1. So why did I go see it? Let's just say I was fucking sick of fucking Immanuel Kant and the fucking Groundwork for the fucking Metaphysics of Morals, OK?
2. Sandler SNL buddies Kevin Nealon and David Spade appear in bit parts.
3. Allen Covert a leading man? I'm better-looking than Allen Covert! Talk about your cognitive dissonance! (Covert, playing a 35-year-old computer game tester, is actually 52.)
4. Cardellini (above right, with Allen Covert) only has to smile once and you realize that she's got 32 perfect teeth. No one else in this film has one good tooth.
5. Some of the choices e.g., a video gamer nerd losing his virginity to a sixty-something grandma struck me as particularly errant. Whatever happened to chicks kissing?
6. Yeah, the film is so low rent that even poor Linda has to get down and dirty, shaking her fanny and grabbing her boob. And, yeah, I did want it to go on longer, but I knew it was wrong.
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