writers gone wild! |
Roses Without Thorns, Mona Lisa Smile Cigarettes, white gloves, mixed drinks sounds like heaven, doesn't it? If you've got a hankering for a super-sized helping of fifties Junior League1 nostalgia, better get your well-upholstered fanny down to the multiplex before Mona Lisa Smile2 disappears from the scene. What is it with us Americans, anyway?3 We never seem to get tired of fantasizing about lifestyles that, if we actually had to live them, we would find intolerable, if indeed we could even get in the door. Mona Lisa Smile pretends to make fun of the fussy, ritualized lifestyle of Wellesley College girls circa 1953,4 but in fact director Mike Newell wallows in all the tulle and taffeta no white shoes after Memorial Day5 yada yada yada like a tabby in a catnip bed.
I won't give you the plot of Mona Lisa Smile (I had to sit through it; that was agony enough), but I will tell you the moral: It's great to be young, rich, and gorgeous!7 I think we can all say "Amen" to that. Afterwords Mona Lisa Smile would have you believe that it's a rip-off of The Prime of Miss Jean Brodie (1969, VHS only), a film starring Maggie Smith that actually had some shrewd things to say about schoolgirls, mentors, and la vie de bohème (among other things, the snobs win). In fact, it's a cross between Dead Poets Society and Sister Act, and that ain't good. Notes 1. What in hell was, or is, the "Junior League"? Apparently, some sort of clubhouse where minor league society babes could put on pearls and blow smoke at each other for charity. 2. "Mona Lisa Smile" is just a bit of an in-joke here. What we're really talking about is Julia Roberts' smile, one of the great money shots in all of cinema, on a par with Chaplin's skid, Marilyn's boobs, and Woody Woodpecker's laugh. When Julia smiles, icecaps melt, the earth grows green, and the very air is scented with violets. 3. I should probably say "you Americans." My hands are clean on this one. 4. The New York Times ran an article featuring interviews with actual Class of '53 alumnae, who insisted that they weren't stuck-up and snobbish like the girls in the film. In fact, I'm betting that they were a thousand times more stuck-up and snobbish than the girls in the film, who make Wellesley look like a Bonwit Teller version of Beverly Hills 90210. If there's one thing you won't find in this film, it's reality. 5. Or is it Labor Day? No wonder I never got laid! 6. I'd settle for Neil Bush. There's a man who knows how to party. 7. Of course, if you're chubby, it probably wouldn't hurt to marry that cute Harvard nerd who keeps throwing himself at you. February 2004 | Issue 43 ALSO: Check out other fine articles and reviews by the author. |
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New book from the
editor and writers of
Bright Lights Film Journal
Action! Interviews with Directors
from Classical Hollywood to
Contemporary Iran
(Anthem Art and Culture),
by Gary Morris (Editor),
Bert Cardullo (Introduction),
Jonathan Rosenbaum (Foreword).
London and New York:
Anthem Press, 2009.
"I dare anyone to squeeze between
two covers a more varied, useful and
flat out entertaining sampling of
the personalities that make the
seventh art the liveliest."
David Hudson, IFC.com
Interviews
Robert Bresson
Roger Corman (with Bruce Dern
and David Carradine)
Allan Dwan
Clint Eastwood
Douglas Sirk
Robert Wise
Mania Akbari
Lars von Trier
Michael Haneke
Allie Light
Melvin and Mario van Peebles
Otto Muehl
The Brothers Quay
Barbara Kopple
Federico Fellini
Abbas Kiarostami
François Truffaut
Caveh Zahedi
Peter Bogdanovich and
Joseph McBride
on Orson Welles