November/December 1999 | Issue 26
Articles
Gary Morris
TThree pioneering American neorealist indies: Little Fugitive, Weddings and Babies, Lovers and Lollipops
Gary Morris
Radley Metzger’s first film and his veiled biopic of saintly slut Evita now on DVD
Movies
Gary Morris
This middle-range Bava looks better than ever on DVD
Gary Morris
The Italian maestro's stroll through the modern wasteland
Gary Morris
A breakthrough indie and a crash course in no-budget film productions
Gary Morris
The great director’s legendary version of Chushingura is finally available in a sparkling DVD transfer
Alan Vanneman
"Hey fella, twirl that old propella"
Alan Vanneman
This 1934 musical mystery has girls, grins, guns, and Duke Ellington, too
Alan Vanneman
Hot licks and high kicks in a rare early musical
Gary Morris
An uneven new documentary looks at all things Beat
Alan Vanneman
Beautiful it ain’t, says an outraged Alan Vanneman
Gary Morris
The Go Fish queen goes fishing again — this time for gay boys and the men and women who love them
Gary Morris
A good-natured low-budget road movie with a queer twist
Gary Morris
This mixed-bag British coming out drama doesn’t quite come out.
Gary Morris
Mark Illsley’s dicey debut feature about faux gay cons in the hideous heartland
Gary Morris
The "velocity" of this misguided AIDS drama never materializes
Directors
Jack Stevenson
Forget all those other boring indie brother teams — these guys were the original geniuses of cinema’s bargain basement
Toni Maraini
The Master speaks on life, art, and Carlos Castaneda
Gary Morris
Hitler’s hired hand and master filmmaker Riefenstahl is indeed both wonderful and horrible in Ray Muller’s 1993 documentary.
Books
Gary Morris
She made a strong impression — negative, positive, sometimes both — on practically everybody she encountered
Gary Morris
More sampler than encyclopedia
Gary Morris
As eye-popping as the film, the book is a glamorously visual trip through a century of Emerald City commercial imagery
Gary Morris
Hirsch moves into trickier territory: surprisingly little has been written about neo-noir
Gary Morris
An enjoyably pithy collection of essays
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