September 1995 | Issue 14
Articles
by Gary Morris
What does it mean to be a "madwoman" and an artist in American society? A review of Allie Light's documentary on the subject, along with an interview, tries to answer that question.
by Gary Morris
Hitchcock has always been considered a director sui generis. John W. Hall looks at Psycho and Touch of Evil to show that even Hitch couldn't resist the charms — and stylistic strategies — of Orson Welles.
Recent Posts

The fabulous "furies" sequence from the 1932 film Crime Without Passion, by the master of the 1930s Hollywood montage (and more), Slavko Vorkapich. All hail the anima!

Watch on Youtube »

Gordon Thomas, and other BL staff, check out the eye- popping pleasures of Blu-Ray DVD.

» Monsoon Wedding (Mira Nair)
» The General (Keaton)
» Sunrise (Borzage)
» 8-1/2 (Fellini)
» Playtime (Tati)
» Winstanley (Brownlow & Mollo)
» My Childhood, My Ain Folk ... (Bill Douglas)
» In the Realm of the Senses (Oshima)
» Snow White and the Seven Dwarfs (Disney)
» Repulsion (Polanski)

BL Associate Editor Alan Vanneman watches (and reviews) television shows so you don't have to. Click if you dare.

» 30 Rock
» Broadway Theatre Archive
» Charlie’s Angels
» Death of a Salesman
» Freaks and Geeks
» Have Gun Will Travel
» Magnum P.I.
» Monk
» Pamela Anderson Roast