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Peter Watkins and the Politics
of Expression "Watkins' filmmaking bravely seeks an insistence on personal truth his own and the viewer's." from the editor features foyer
Peter Watkins and the Politics of Expression: On Edvard Munch (1974) and The Freethinker (1994) "Watkins' filmmaking bravely seeks an insistence on personal truth his own and the viewer's." False Consonances and False Consciousness: Contrarian Notes on the Ideology of Film Music "Defenseless against music, I must submit to its despotism and, depending on its whim, be god or garbage." E. M. Cioran articles antechamber Naomi Watts: Cinema's Postmodern Mother of Mirrors "We're home free in the new mediated womb of the Naomi persona which is to say, trapped, by our own desire." Only the Pictures: We're All Editing, Ed But about this audit
Wes's World: Riding Wes Anderson's Vision Limited Paging crackle, energy, and wit. Come in, please. Presence and Absence: Towards a Working Conception of Screen Characters "A basic consistency on the actor's part remains uniquely convincing as character, no matter how simplistic that character's definition." little stabs Little Stabs of Happiness (and Horror): Random Short Reviews of the Worthy and the Worthless in Recent and Old-School Cinema "Don't snatch! Don't grab! They're ugly!" - - - - - - |
recent cinema roundabout Stunted Lives: On 4 Months, 3 Weeks, & 2 Days Unsettling and unmissable
When Virtue Sleeps: The Moral World of Denys Arcand's L'Âge des Ténèbres "We are asked to think morally: is the happiness these characters seek possible or desirable?" The Foxy, the Dead, and the Foxier: Re-Visiting Death Proof "He's old enough to be my dad!" interrogation alcove Rebel, Rebel: Gregg Araki Reflects on The Living End and His Totally F***ed Up Career at Sundance 2008 "My whole thing, all my life, was march to your own drummer." the empty guest room
Nuts to the Squirrels and Roués Redeemed: The Discreet Charm of Charles Boyer "In Boyer, self-belief and theatrical technique are seamlessly fused together." documentary dormer Innocence Lost or Regained? The Clear-Eyed Vision of Jesus Camp "Real things happening to real people" film festival flying buttress Onward and Inward: On the 2007 Thessaloniki International Film Festival "Each work limns a moral dilemma that has no discernible answer." Tickets to the Dark Side: The 43rd Chicago International Film Festival "We will see whose heart is sharpest!" revival room Downward Mobility: On Roger Corman's Bloody Mama "You never could make a decent living . . . you never did mount me proper."
Thank God for Uncle Tom: Race and Religion Collide in The Green Pastures A kinder, gentler condescension Ode to Lili: And Leslie Caron "This MGM movie is studio-system filmmaking at its most protective, and it's designed entirely to showcase Leslie Caron . . ." bright sights
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